I read the story of United States v. Chalupnik, that's right, a criminal prosecution for misdemeanor copyright infringement, for a dumpster diver who came up with thrown away, by their owner, CDs and who was prosecuted for selling them. Selling trashed CDs. OMG. Patry is appalled. So am I. Here's his retelling of the tale: The Patry Copyright Blog: The Crime of Selling Abandoned Copies.
The thing that so shocks Patry is that there is actual copyright infringement here, the necessary finding for the in depth discussion of how to measure the harm to the copyright owner (most of the discussion in the case is about the proper measurement of harm). Unlike most personal property, copyrights apparently can't be thrown away. The right to distribute to the public, even a copy that has been legally thrown in the dumpster, still entitles the copyright owner to damages if someone retrieves the owner's trashed disk and sells it.
This elevation of copyrights to the exalted pedestal they apparently stand upon is out of line with my sense of justice. This case reminds me of one of the stories Lessig told in Free Culture, the one about the relative legal statuses of handguns and circumvention equipment (p. 160):
The obvious point of Conrad’s cartoon is the weirdness of a world where guns are legal, despite the harm they can do, while VCRs (and circumvention technologies) are illegal. Flash: No one ever died from copyright circumvention. Yet the law bans circumvention technologies absolutely, despite the potential that they might do some good, but permits guns, despite the obvious and tragic harm they do.
If you want to see Conrad's cartoon, follow the link above to Lessig's book and the page number, but of course, if you haven't read this book, I highly recommend it. It's a real eye-opener.

Comments (2)
Thanks for picking this up Georgia - I think I said "OMG" out loud when I read this on Patry's blog. One wonders about the possible applications of such a decision . . . I was particularly confused about when a copyright owner could ever be said to have given up ownership (unless they opt-out using something akin to a CC-license). If BMG Columbia House did not give up its rights when it tossed the CDs in the dumpster, under what conditions would the court agree that it *had* given up ownership rights?
Posted by Ariel Deiaco-Lohr | February 7, 2008 1:29 PM
Posted on February 7, 2008 13:29
I'm fairly confident that BMG (and its artists) had no intention of renouncing their copyrights. At the same time, I'm pretty sure that BMG had every intention of trashing the particular compact disks that are one embodiment, one particular fixed form, of their copyrights.
BMG and its artists must've been dismayed when a postal employee went into competition with them, peddling the compact disks to retailers, depriving them of potential revenues.
Posted by Walter Dufresne | April 1, 2008 11:06 AM
Posted on April 1, 2008 11:06